5 mysteries for the new season and an homage to Agatha Christie

Ah, the perfect murder. It’s the quest that keeps mystery writers plotting and readers turning pages. Our spring roundup offers five novels designed to keep you guessing, including many homages to the Queen of Crime herself, Agatha Christie.

The Midnight Taxi by Yosha Gunasekera

A New York City cabbie picks up a fare heading to the airport. When Siriwathi Perera arrives at LaGuardia , the man is dead in her back seat – and not of a heart attack. Police are convinced the young woman is the only one with opportunity, and they aren’t too bothered about looking for a motive. “We were in a locked, moving vehicle,” Siri says, confronting the nightmare she finds herself plunged into. “The man was alive when I picked him up and dead on arrival? Who else could have done it?” 

Why We Wrote This

This batch of mystery novels involves a locked taxicab, a crime-fighting lepidopterist, an accused Welsh terrier, and a nosy aunty. The plots keep readers guessing.

Enter Amaya Fernando, a fellow Sri Lankan immigrant and public defender whom Siri had given a ride to earlier that day. With her court date approaching, Siri and Amaya have five days to figure out who really killed the guy in the back seat. Author Yosha Gunasekera, herself an attorney, has written a terrific debut, with a heroine to root for, a clever plot, a clear-eyed look at the legal system, and odes to both New York and the unsung workers who keep the city running. One caveat: Sharp-eyed readers might not solve whodunit, but the “whenithappened” isn’t too hard to puzzle out.

A Ghastly Catastrophe by Deanna Raybourn

If the idea of a lepidopterist challenging Bram Stoker to dueling hatpins makes you smile, I have good news: Veronica Speedwell is back. “We had fallen into the habit of murder – the sleuthing and not the committing,” Veronica confides about herself and her partner, Revelstoke Templeton-Vane, better known as Stoker. The 19th-century natural historians find themselves enlisted to solve a “suicide” and an exsanguination that Scotland Yard was ordered to cover up by the dead men’s own powerful families. Deanna Raybourn uses this 10th outing to bring in her first pair of 19th-century sleuths, Lady Julia and her husband, Nicholas Brisbane. And if longtime readers see certain similarities between the pairs, so do Veronica and Lady Julia when they compare notes. 

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