For Europe – along with a handful of other countries – the annual international song competition has long been Eurovision: a contest among dozens of musicians in a glitzy spectacle that draws more than 150 million watchers. But for Russia, Eurovision has been off the table since 2022, when it was banned due to its invasion of Ukraine.
So Moscow has launched its own version of Eurovision, with a more global – though somewhat less inclusive – bent. And that competition makes its debut this weekend.
Musicians from 23 countries will perform this Saturday at an arena near Moscow in the new Intervision international song contest. The event’s Russian organizers are promoting it as a forum that will promote traditional values and unique national cultures – in contrast, they argue, to Eurovision.
Why We Wrote This
Russia has been building alternatives to Western institutions that it has been shut out of following its invasion of Ukraine. Its latest effort, Intervision, looks to be a more international – if less liberal – version of the Eurovision Song Contest.
“Music is a language that unites people,” says Nidia Góngora, an award-winning singer who will represent Colombia in the competition. “In our Latin culture, music has helped us so much to survive times of terrible troubles. The musician has a responsibility to perform music in part as a means of helping people to face the problems of this world.” She says she’s delighted to be in Moscow, and she brushes away any questions concerning the geopolitical tensions that, inevitably, form the backdrop of the event.
Amid a growing global political rift, Moscow seems to be creating its own alternatives to many formerly universal events in order to pursue its own soft-power goals, while also providing exposure for its own athletes, artists, and entertainers, who are largely barred from Western-run venues these days. Today’s Intervision participants are coming from the more Russia-friendly countries of the Global South rather than from the former Soviet bloc. The Cold War-era mantra of such events was “peace and friendship,” while today’s message is more about shared – and vaguely nonliberal – values in a diverse world.
Andrei Razygraev, creative director of the competition, says there is no place for propaganda in Intervision, which is only about “music, friendship, and holding a multicultural event.”
But Russia’s exclusion from Eurovision is a sore point, he adds. Many Russians were already souring on the Western-sponsored event because of what they perceived as increasingly liberal and inclusive themes, including openly LGBTQ+ participants.
“It wasn’t us who decided not to take part in Eurovision, but over the past several years, it changed in ways that looked unpleasant to us,” he says. “We support traditional family values, and lately, Eurovision has featured a lot of things that absolutely do not correspond to our values.”
More global, more Russian
Like many of the lavishly produced sports, entertainment, and cultural events being promoted by the Russian government these days, the Intervision 2025 competition is a revival of a Soviet-era festival that was staged during the 1960s and ’70s. That was for audiences in the socialist bloc to show off Soviet achievements, to give local talent a platform, and also – by including a few performers from Western countries – to suggest friendly outreach.
Besides a general commitment to traditional values, Mr. Razygraev says the Intervision contest seeks to highlight musical voices from around the world that express original national cultures that might otherwise get lost amid the noise of globalized commercial music.
“We support distinct, national musical styles, whether it’s Russian or anyone else’s,” he says. “This is about building bridges through music.”
Another reason for Russia’s promotion of a more global set of participants than Eurovision’s seems to be due to what Russians call a growing tendency in the West to bar their culture. They point to recent cancellations of performances by world-renowned Russian artists such as famed soprano Anna Netrebko in London; pianist Denis Matsuev in Athens, Greece; and conductor Valery Gergiev in Naples, Italy.
“We need this contest more than ever,” says Yury Aksyuta, a co-producer of Intervision. “People are accustomed to exchanging their musical experience, and that shouldn’t be interrupted.”
The decision to resurrect Intervision for a new era was made by Russian President Vladimir Putin personally in a decree last February. According to Russian media, about $8 million was allocated for holding the event, but observers say official assistance in the form of premises, staff, advertising, and logistical support goes far beyond that.
In a press conference promoting the upcoming competition this week, Foreign Minister Sergey Lavrov said his ministry had helped by expediting “visas for participants, guests, and journalists, provided free with simplified procedure. We created a special customs regime to help participants.” He said the goal was to expand communication and understanding among diverse peoples. “Each government chooses how to support art according to its own principles. What we are doing is the exact opposite of attempts to use sports, art, or any other activity to achieve political goals.”
A plethora of performers
Organizers insist that this contest is completely nonideological, and is wide open to performers from anywhere in the world. They point out that every inhabited continent except Australia will be represented in Saturday’s gala concert, including what they describe as “top artists” from places as diverse as Cuba, Ethiopia, Vietnam, India, Qatar, China, Saudi Arabia, and Brazil.
Russia’s entry is one of the country’s top pop singers, Shaman, who is known for such patriotic ballads as “I am Russian!” However, he is slated to perform a love song, “Straight to the Heart,” as his contest entry.
Brandon Howard, a fairly successful producer and songwriter from Los Angeles who goes by the stage name B. Howard, was scheduled to perform representing the United States. But it was announced Thursday that he was withdrawing from the competition due to “unforeseen family circumstances.”
He will be replaced by Vasiliki Karagiorgos, an Australian-born, Greek-parentage singer-songwriter. Ms. Karagiorgos, who performs under the name Vassy, lived in Los Angeles for several years in the 2010s, and said last year that she was applying to enter Eurovision as Greece’s representative, per the online news site Novye Izvestia.
It’s not clear how various contestants were selected. Mr. Razygraev says some were chosen in national competitions. The Russian entry, Shaman, was picked by organizers on the basis of his standing in public opinion polls.
As for Mr. Howard, the process seems murkier. “We contacted the U.S. State Department and asked for their advice. They declined to get involved and suggested we contact people in the U.S. music industry,” says Mr. Razygraev. “We did that, and several performers put themselves forward. We analyzed the choices, and decided B. Howard was the best fit.”
Saif Al Ali, a competitor from the United Arab Emirates, says he was tapped to go to Moscow by his country’s Ministry of Culture.
“I’m very excited to be here. Moscow is amazing,” he says. “I will sing a song about peace and unity. That’s what we all want.”